I Didn’t Plan to Make This Episode About Guitar Strings… - 414
Welcome to This Week’s Lesson
This episode wasn’t supposed to happen. I was in the middle of filming for my new free beginner video course — The Absolute Beginner’s Guide to Guitar — when something unexpected came up.
While walking students through the string names, I found myself wondering:
- Why are the strings named E–A–D–G–B–E?
- What does that tell us about the instrument?
- And how do strings actually shape your tone, feel, and playing experience?
So, I turned the lights and camera back on — and here we are.
What the String Names Really Reveal
We all memorize E–A–D–G–B–E early on, but there's a deeper design behind it.
- Most adjacent strings are tuned in perfect fourths.
- The exception: G to B is a major third.
- That one interval break is what makes standard chord shapes possible.
It’s not random — it’s a balance between logical spacing and physical playability. Full-fourth tuning sounds great in theory but makes chords and scales difficult to play. I tried it once. I went back fast.
This setup likely evolved from older instruments and tunings, long before the modern guitar. According to a short but helpful article from Fender (linked in the show notes), standard tuning grew out of necessity and comfort over centuries.
String Types, Materials, and Why They Matter
Strings affect more than tone — they affect playability, tuning stability, and the way your fingers interact with the guitar.
Topics covered in this episode:
- Most strings are steel at the core — it’s the wrap that changes (nickel, phosphor bronze, etc.)
- Wrap materials change the tone and magnetic response of strings.
- Nickel gives a snappier feel than expected, especially with certain platings.
- Phosphor bronze and similar alloys don’t work well with magnetic pickups.
- Coated strings (like Elixirs) can last longer but may sacrifice brightness.
You may think you’re buying “nickel strings” — but often, only the wrap is nickel-plated, not the entire string.
Tension and Feel: The Overlooked Factor
Tension is often more important than string gauge.
- Too much tension makes the guitar stiff and hard to play.
- Too little can lead to tuning issues and fret buzz.
- Finding the right gauge-pick combo is key.
I’ve landed on D’Addario EXL120+ (9.5s) for a mix of easy bending and a big sound.
On a Strat, that extra half step of gauge gives just the right tension — especially if you're using a tremolo system.
Real-World Observations from the Gigging Life
- Strings last much longer at home than on stage.
- Sweat, nerves, and tremolo use speed up wear during live playing.
- Coated strings can help, but tone may suffer.
- Fret buzz isn’t always a flaw — flamenco players embrace it for dynamics.
- Pick choice and string gauge go hand in hand.
I've experimented with heavy gauges (like Stevie Ray Vaughan's 13s) and light ones. Each setup affects your physical comfort, technique, and tone in unique ways.
I’ve also learned that fret buzz, in the right context, can enhance dynamics — like a natural compressor.
How Long Should Strings Last?
At home, strings can last months. On stage, not so much. The more you play, the faster they go dull.
- When strings lose clarity, intonation can suffer.
- You might still be in tune — but it won’t sound like it.
- Many players boil strings, use rubbing alcohol, or even flip them around to extend life.
Try whatever works for you, but for me, consistent string changes are more reliable than DIY tricks.
Final Thoughts
Strings are one of the most personal and misunderstood parts of guitar setup. They seem simple but can completely change how your instrument sounds and feels.
I had fun going off-script in this episode, and I hope it got you thinking more deeply about your own string setup.
If you're just starting out, be sure to check out my new free course:
The Absolute Beginner’s Guide to Guitar — a 5-part video series that walks you through the essential first steps with clarity and confidence.
Add Your Thoughts
What strings are you using right now?
Have you ever experimented with alternate tunings, string types, or gauges?
Let me know in the comments — I’d love to hear your thoughts!
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